Kis Kisko Pyaar Karoon 2 Twitter review: Fans call Kapil Sharma’s comeback a laughter filled stress buster

Kapil Sharma shines in Kis Kisko Pyaar Karoon 2, a 2 hour 22 minute madcap comedy that fans on Twitter loved for laughs, ensemble energy and a feel good vibe.

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Mumbai: Kapil Sharma’s return to the big screen with Kis Kisko Pyaar Karoon 2, released in theatres on December 12, has sparked a lively conversation on social media. Twitter users largely agree on one thing: this is a Kapil Sharma movie through and through, built to deliver easy laughs, big energy and pure entertainment. Fans flooded timelines with short verdicts and detailed takes, and the mood online is happy, forgiving and amused.

Netizens react to Kis Kisko Pyaar Karoon 2

Many viewers wrote that Kis Kisko Pyaar Karoon 2 feels like a showcase for Kapil’s trademark comic timing and screen presence. He carries the central role with the same effortless style that made him a household name, and audiences rewarded that energy with applause and praise. One user even summed up the experience as “pure comedy therapy,” saying Kis Kisko Pyaar Karoon 2 provides light hearted relief after watching heavier fare.

Audience members highlighted standout comic support from Manjot Singh, Sushant Singh and Jamie Lever, noting that well timed punchlines and strong comic beats keep the film moving. Tridha Choudhury was specifically chosen to receive the most screen time and make the most of it, with the rest of the female leads, Hira Warina, Ayesha Khan and Parul Gulati, being said to be fitting like a glove into the messy chaos and complementing the narrative. Several tweets praised the overall casting performances as solid and reliable, adding to the fun.

Director Anukalp Goswami earned credit for keeping the film brisk, simple and entertaining. People liked the fact that he never complicated the premise, even when the storyline stretched towards the improbable. The sequel re-explores the central idea of the first film, which is the juggling of multiple marriages by a single man but it is now more of a religious flavored comedy. Although a few viewers thought that some of the sequences were extended or that some of the twists were too much, the vast majority believed that these are minor issues in a film that means to make people laugh.

Music saw mixed reactions. The track by Honey Singh that was presented as a theatre ready became an obvious crowd pleaser and was actively received even by people who thought some of the soundtrack was weaker. The soundscape in general is serving its purpose when it has to and not all the numbers hit all viewers.

On balance the sentiment online ranges from approving to enthusiastic. One user rated their experience three out of five stars and called the film entertaining and light hearted. Another wrote a four star note, read it to the praise of the acting, direction and run time and referred to the movie as a two hour twenty two minutes package of pure entertainment. There is a common strand across reactions; this is a fast paced, clean comedy that knows what it wants to be and largely achieves it.

Beyond laughs, many tweets celebrated the film as a simple crowd pleaser. For fans of Kapil Sharma’s brand of humour, Kis Kisko Pyaar Karoon 2 delivers exactly what they expect: madcap situations, rapid fire jokes and a comforting sense of comic chaos. The fact that the film also manages to keep the audience engaged even after some of the moments are a bit far-fetched, earned the film approval amongnetizens who enjoy entertainment that makes them smile.

About Kis Kisko Pyaar Karoon 2

Kis Kisko Pyaar Karoon 2 stars Kapil Sharma with Hira Warina, Tridha Choudhury and Ayesha Khan. It is directed by Anukalp Goswami and produced by Ratan Jain, Ganesh Jain and Abbas-Mustan under Venus Worldwide Entertainment in association with Abbas-Mustan Film Production. With the social media establishing itself in the early response, it has become apparent that the film has placed Kapil Sharma back in the movie theaters as a trustworthy feel good entertainer.

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